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A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
THE
BOOK OF CREATION
"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"
The Gnostic Jung: Including Seven Sermons to the Dead
books.google.co.uk › books
139 It corresponds to the scintilla vitae, the “little spark of the soul,” in Meister Eckhart,140 which we meet with rather early in the teachings of Saturninus.141 ...
C.G. Jung, ?Robert Segal
SCINTILLA VITAE
Life beyond - riddles - Wattpad
www.wattpad.com › 30833446-life-beyond-riddles
previously: I opened my eyes to nothing like when I say nothing I mean ... erit qui egrediuntur ut succendam scintilla vitae adventum' that is what you said miss” +.
Scripta Novæ Domini Ecclesiæ: sive Novæ Hierosolymæ, in ...
books.google.co.uk › books
Quondam audivi vocem e Coelo dicentis, quod si foret scintilla vitae in homine ejus , et non Dei in illo , non fo- ret Coelum, nec aliquid ibi, et inde quod non foret ...
Emanuel Swedenborg - 1835 - ?Religion
Fiction review: 'The Petting Zoo' by Jim Carroll - oregonlive.com
www.oregonlive.com › books › 2010/12 › fiction_revi...
18 Dec 2010 - ... is watching Carroll try to recapture "that divine spark, the scintilla vitae. ... To show where art comes from and how it's made and the meaning ...
Collected Works of C.G. Jung: The First Complete English ...
books.google.co.uk › books
The First Complete English Edition of the Works of C.G. Jung C.G. Jung ... of the sp????? or spark.139 It corresponds to the scintilla vitae, the “little spark of the ...
C.G. Jung, ?Gerhard Adler, ?Michael Fordham - 1973 - ?Psychology
It corresponds to the scintilla vitae, the “little spark of the ...
C.G. Jung,
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from carljungdepthpsychologysite.blog
On the Scintillae [Soul Sparks]
The point is identical with the (higher element deriving from the world of light), scintilla, the “little soul-spark” of Meister Eckhart. We find it already in the teaching of Saturninus. Similarly Heraclitus, “the physicist,” is said to have conceived the soul as a “spark of stellar essence.” Hippolytus says that in the doctrine of…
http://www.answers.com/scintilla
scin·til·la (sĭn-tĭl'ə)
n.
- A minute amount; an iota or trace.
- A spark; a flash.
[Latin, spark.]
scintillant scin'til·lant adj.
Law Encyclopedia
Scintilla
A glimmer; a spark; the slightest particle or trace.
"Scintilla of evidence" is a metaphorical expression describing a very insignificant or trifling item of evidence. The common-law rule provides that if there is any evidence at all in a case, even a mere scintilla, that tends to support a material issue, the case cannot be taken from the jury but must be left to its decision.
the scintilla vitae, the little spark of the soul
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|
|
|
|
|
|
1+5 |
|
|
|
2+7 |
|
|
|
|
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
|
1+8+9 |
8+1 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE SCINTILLA VITAE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
1 |
|
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
|
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
6 |
7 |
|
|
|
|
|
13 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
|
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE SCINTILLA VITAE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
1+5 |
|
|
|
2+7 |
|
|
|
|
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
|
1+8+9 |
8+1 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE SCINTILLA VITAE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
4 |
1 |
|
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE SCINTILLA VITAE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
1+5 |
|
2+7 |
|
|
|
|
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
|
1+8+9 |
8+1 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER RE-ARRANGED NUMERICALLY
THE SCINTILLA VITAE
SCINTILLATE
SCINTILLATES
SCINTILLATED
SCINTILLATING
THE SCINTILLA VITAE
S |
= |
1 |
- |
4 |
SOUL |
67 |
13 |
4 |
S |
= |
1 |
- |
7 |
SO-U-LIVE |
103 |
31 |
4 |
S |
= |
1 |
- |
8 |
SO-U-LEARN |
105 |
33 |
6 |
S |
= |
1 |
- |
7 |
SO-U-LOVE |
109 |
28 |
1 |
S |
= |
1 |
- |
8 |
SO-U-LOVE LIGHT |
165 |
57 |
3 |
S |
- |
5 |
|
34 |
First Total |
|
|
|
- |
- |
- |
- |
3+4 |
Add to Reduce |
5+4+9 |
1+6+2 |
1+8 |
- |
- |
5 |
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
4 |
SOUL |
67 |
13 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
SO YOU L |
107 |
26 |
7 |
6 |
SO YOU L |
107 |
26 |
7 |
6 |
SO YOU L |
107 |
26 |
7 |
4 |
LIVE |
48 |
21 |
3 |
2 |
O+I |
24 |
15 |
6 |
4 |
LOVE |
54 |
18 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+2+6 |
5+4 |
1+8 |
|
Essence of Number |
|
|
|
I
ME
SOS SIGNALS SOS
COMETH FORTH COMETH
MAYDAY MAYDAY MAYDAY
REVEAL O I O REVEAL
THAT THAT THAT
ISISIS
WHAT IS THE NATURE OF THE LIFE FORM SOUNDING THE
OM TONE SACRED NOTE OM
THE ANSWER ANWERS IT IS THE E IN PLANET EARTH THAT IS THE LIFE FORM TRANSMTTING THE
SOS MAYDAY SOS
ALARM CALL ALARM
SEE SAID THE SEER THE BLU E PLANET ITSELF SINGS ITS SONG WITHIN THE SENSE OF COMING DESTINY
O |
= |
6 |
- |
- |
OSIRIS |
- |
- |
- |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
IS |
28 |
19 |
1 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
2 |
1S |
19 |
19 |
1 |
O |
= |
6 |
|
6 |
OSIRIS |
|
|
26 |
- |
- |
- |
- |
- |
- |
8+9 |
5+3 |
2+6 |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
O |
= |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
CHRIST |
- |
- |
- |
|
C |
3 |
3 |
|
|
RISH |
54 |
27 |
|
|
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
"There are 333 prophecies all performed in one person, Jesus Christ."
MORE THAN A CARPENTER by Josh McDowell - Secular Web
infidels.org/library/modern/gaunilo2/more.html
The Fool feels that he must look elsewhere for any possible truth about this man that McDowell says is 'More Than a Carpenter.'
Review of More Than a Carpenter by Josh McDowell
reviewed "In Behalf of the Fool" (1980)
The Fool recently had the pleasure of hearing Josh McDowell entertain a packed house, mainly of college students, on the topic of "Maximum Sex." The audience was snuggled together on the rug of a college cafeteria and listened attentively as he did a mildly suggestive stand-up night club type comic routine--interspersed with God talk and gentle admonitions about sex, both minimum and maximum.
Earlier in the day, the Fool had heard McDowell talk in the Free Speech area on the same campus. The main point of the earlier talk seemed to be the statistical improbability of Jesus not being God. McDowell said, "There are 333 prophecies all performed in one person, Jesus Christ." The Fool kept wondering what would happen mathematically if just one of the alleged prophecies turned out to be false.
WALKING ON GLASS
Iain Banks. 1985
Page 3
TU 28. pm. 3:33.
He stood on the steps for a second, smiling at the figures on the face of the watch. Three three three. A good omen. Today was a day things would come together, a day events would coalesce. It was bright outside, even after the painted lightness of the marble-flaked corridor. The air was warm, slightly ...
- |
- |
- |
- |
6 |
THREES |
- |
- |
- |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
S |
= |
1 |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
30 |
|
6 |
THREES |
|
|
|
- |
- |
3+0 |
- |
- |
- |
7+5 |
3+9 |
3+3 |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
- |
- |
3 |
- |
6 |
THREES |
|
|
3 |
THREES = 3 = THREES
THREE = 2 = THREE
MORE THAN A CARPENTER
Josh Mc Dowell 1977
Page 58 (number omitted)
Chapter
9
"Will the Real Messiah Please Stand up"
7 |
MESSIAH |
- |
- |
- |
- |
M+E |
18 |
9 |
|
- |
S+S |
38 |
20 |
|
- |
I |
9 |
9 |
|
- |
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
THE ART OF MEMORY
FRANCIS A. YATES 1979
THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE
Page 135 (number omitted)
"No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line."
"Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)"
"Page 139
He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned.
Awaiting damnation he calls on Christ, and there comes the famous line
" See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
AMEN ALL MEN ALL MEN AMEN
AMEN ALLWOMEN ALL WOMEN AMEN
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
2 |
Essence of Number |
|
|
|
THE ART OF MEMORY
FRANCIS A. YATES 1966
THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY
Page 21
"The Ad Herennium was a well known and much used text in the Middle Ages when it had an immense prestige because it was thought to be by Cicero. It was therefore believed that the precepts for the artificial memory which it expounded had been drawn up by Tullius himself"
Page 32
"Though the medieval tradition which assigned the authorship of Ad Herennium to 'Tullius' was wrong in fact, it was not wrong in its inference that the art of memory was practised and recommended by Tullius."
Page 282
"By the THE LADDER OF MINERVA we rise from the first to the last..."
B |
|
2 |
|
2 |
BY |
27 |
9 |
9 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
6 |
LADDER |
44 |
26 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
M |
= |
4 |
- |
7 |
MINERVA |
82 |
37 |
1 |
W |
= |
5 |
|
2 |
WE |
28 |
10 |
1 |
R |
= |
9 |
|
4 |
RISE |
51 |
24 |
6 |
F |
= |
6 |
|
4 |
FROM |
52 |
25 |
7 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
5 |
FIRST |
72 |
27 |
9 |
T |
= |
2 |
|
2 |
TO |
35 |
8 |
8 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
|
4 |
LAST |
52 |
7 |
7 |
|
|
52 |
|
47 |
|
|
|
|
|
|
5+2 |
|
4+7 |
|
5+6+3 |
2+3+0 |
7+7 |
|
|
7 |
|
11 |
|
|
|
|
|
|
|
|
1+1 |
|
1+4 |
|
1+4 |
|
|
7 |
|
2 |
|
|
|
|
|
CURRICULUM |
|
|
- |
|
|
|
|
|
C |
3 |
3 |
|
|
3 |
|
|
|
U |
21 |
3 |
|
|
3 |
|
|
|
R |
18 |
9 |
|
|
|
|
9 |
|
R |
18 |
9 |
|
|
|
|
9 |
|
I |
9 |
9 |
|
|
|
|
9 |
|
C |
3 |
3 |
|
|
3 |
|
|
|
U |
21 |
3 |
|
|
3 |
|
|
|
L |
12 |
3 |
|
|
3 |
|
|
|
U |
21 |
3 |
|
|
3 |
|
|
|
M |
13 |
4 |
|
|
|
4 |
|
10 |
CURRICULUM |
139 |
49 |
49 |
|
18 |
4 |
27 |
1+0 |
- |
1+3+9 |
4+9 |
4+9 |
|
1+8 |
- |
2+7 |
1 |
CURRICULUM |
13 |
13 |
13 |
|
9 |
4 |
9 |
- |
- |
1+3 |
1+3 |
1+3 |
|
- |
- |
- |
1 |
CURRICULUM |
4 |
4 |
4 |
|
9 |
4 |
9 |
|
|
|
|
|
|
|
|
3 |
3 |
|
|
|
A |
1 |
1 |
|
|
|
|
12 |
3 |
|
|
|
|
3 |
3 |
|
|
|
|
21 |
3 |
|
|
|
|
12 |
3 |
|
|
|
|
21 |
3 |
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
9+2 |
2+9 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
A |
1 |
1 |
1 |
|
|
|
|
|
12 |
3 |
3 |
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
|
21 |
3 |
3 |
|
|
|
|
|
12 |
3 |
3 |
|
|
|
|
|
21 |
3 |
3 |
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1+1 |
3+9 |
3+0 |
|
|
1+8 |
2 |
|
|
|
|
|
|
|
- |
|
|
1+2 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
A |
1 |
1 |
1 |
|
|
|
|
|
12 |
3 |
3 |
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
|
21 |
3 |
3 |
|
|
|
|
|
12 |
3 |
3 |
|
|
|
|
|
21 |
3 |
3 |
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
48 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+3+0 |
4+0 |
3+1 |
|
1+0 |
2+1 |
3 |
|
|
|
|
|
|
|
IN
MEMORIAM
"SUFFER LITTLE CHILDREN TO COME UNTO ME"
- |
- |
- |
- |
- |
- |
- |
- |
LLULLAILLACO |
- |
- |
- |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
U |
3 |
- |
- |
- |
- |
U |
1 |
U |
21 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
- |
- |
A |
- |
- |
- |
A |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
I |
- |
- |
I |
1 |
I |
9 |
9 |
9 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
- |
- |
A |
- |
- |
- |
A |
1 |
A |
1 |
1 |
1 |
C |
3 |
- |
- |
- |
- |
C |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
- |
O |
- |
O |
1 |
O |
15 |
6 |
6 |
- |
24 |
- |
- |
- |
- |
- |
12 |
LLULLAILLACO |
122 |
41 |
41 |
- |
2+4 |
- |
- |
- |
- |
- |
1+2 |
- |
1+2+2 |
4+1 |
4+1 |
- |
6 |
- |
- |
- |
- |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
Children of Llullaillaco, sacrificed by the Incas 500 years ago.
It is believed the Children of Llullaillaco, as they have come to be known, were sacrificed during a ceremony thanking the Inca gods for the annual corn ... www.democraticunderground.com/discuss/ duboard.
http://news.bbc.co.uk/1/hi/world/americas/6983300.stm
Mummified Inca maiden wows crowds
"A mummy of an Inca girl, described as "perfect" by the archaeologists who found her in 1999, has gone on display for the first time in Argentina .
Hundreds of people crowded into a museum in the north-western city of Salta to see "la Doncella", the Maiden.
The remains of the girl, who was 15 when she died, were found in an icy pit on top of a volcano in the Andes, along with a younger boy and girl. Researchers believe they were sacrificed by the Incas 500 years ago.
The three were discovered at a height of 6,700m (22,000ft) on Mount Llullaillaco, a volcano in north-west Argentina on the border with Chile. At the time, the archaeologist leading the team, Dr Johan Reinhard, said they appeared "the best preserved of any mummy I've seen". It is believed the Children of Llullaillaco, as they have come to be known, were sacrificed during a ceremony thanking the Inca gods for the annual corn harvest.
'Great mistake'
The mummy of la Doncella is on display in a chamber that is filled with cold air that recreates the sub-freezing conditions in which she was found. Visitors told Argentina media they were impressed at the mummy's state of conservation. "I'm amazed," one woman said. "You just expect her at any moment to get up and start talking." But the exhibition has angered several indigenous groups who campaigned to stop the mummy from going on display.
Miguel Suarez from the Calchaquies valley tribes in and around Salta told the Associated Press news agency that the exhibit was "a great mistake", adding that he hoped visitors would show respect for the dead."
- |
LLULLAILLACO |
- |
- |
- |
3 |
L+L+U |
45 |
9 |
9 |
2 |
L+L+A |
25 |
7 |
7 |
1 |
I |
9 |
9 |
9 |
3 |
L+L+A |
25 |
7 |
7 |
2 |
C+O |
18 |
9 |
9 |
12 |
LLULLAILLACO |
122 |
41 |
41 |
1+2 |
- |
1+2+2 |
4+1 |
4+1 |
3 |
LLULLAILLACO |
5 |
5 |
5 |
|
- |
- |
- |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
LLULLAILLACO |
- |
- |
- |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
U |
3 |
- |
- |
- |
- |
U |
1 |
U |
21 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
- |
- |
A |
- |
- |
- |
A |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
I |
- |
- |
I |
1 |
I |
9 |
9 |
9 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
L |
3 |
- |
- |
- |
- |
L |
1 |
L |
12 |
3 |
3 |
- |
- |
A |
- |
- |
- |
A |
1 |
A |
1 |
1 |
1 |
C |
3 |
- |
- |
- |
- |
C |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
- |
O |
- |
O |
1 |
O |
15 |
6 |
6 |
- |
24 |
- |
- |
- |
- |
- |
12 |
LLULLAILLACO |
122 |
41 |
41 |
- |
2+4 |
- |
- |
- |
- |
- |
1+2 |
- |
1+2+2 |
4+1 |
4+1 |
- |
6 |
- |
- |
- |
- |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
The remains of the girl, who was 15 when she died, were found in an icy pit on top of a volcano in the Andes, along with a younger boy and girl. Researchers believe they were sacrificed by the Incas 500 years ago.
The three were discovered at a height of 6,700m (22,000ft) on Mount Llullaillaco, a volcano in north-west Argentina on the border with Chile.
- |
- |
- |
- |
- |
LLULLAILLACO |
- |
- |
- |
- |
- |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
U |
U |
3 |
- |
1 |
U |
21 |
3 |
3 |
- |
3 |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
A |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
I |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
L |
L |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
3 |
A |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
C |
C |
3 |
- |
1 |
C |
3 |
3 |
3 |
- |
3 |
O |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
24 |
- |
12 |
LLULLAILLACO |
122 |
41 |
41 |
- |
41 |
- |
- |
2+4 |
- |
1+2 |
- |
1+2+2 |
4+1 |
4+1 |
- |
4+1 |
- |
- |
6 |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
- |
5 |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
3 |
LLULLAILLACO |
5 |
5 |
5 |
- |
5 |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
1 |
|
21 |
3 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
|
21 |
3 |
3 |
|
|
|
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
1 |
U |
21 |
3 |
3 |
U |
= |
|
= |
|
ULURU |
|
|
|
- |
- |
2+1 |
- |
|
|
9+3 |
2+1 |
2+1 |
- |
- |
3 |
- |
|
ULURU |
|
3 |
3 |
- |
- |
- |
- |
|
|
1+2 |
- |
- |
- |
- |
3 |
- |
|
ULURU |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
4 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+3 |
|
|
|
|
|
|
|
|
1+2 |
- |
|
|
- |
2+1 |
- |
1+2 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
21 |
12 |
21 |
18 |
|
|
|
|
9+3 |
= |
|
1+2 |
|
= |
|
|
3 |
3 |
3 |
9 |
|
|
|
|
2+1 |
= |
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
- |
|
|
- |
2+1 |
- |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
21 |
12 |
21 |
18 |
|
|
|
|
|
= |
|
1+2 |
|
= |
|
|
|
|
|
|
9 |
|
|
|
|
|
= |
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
4 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
|
|
|
|
|
|
|
|
33 |
|
33 |
|
|
|
|
|
3+3 |
|
|
|
|
|
|
|
|
3+3 |
- |
3+3 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
6 |
|
|
|
|
|
|
|
3 |
3 |
3 |
9 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
1 |
|
21 |
3 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
|
21 |
3 |
3 |
|
|
|
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
1 |
U |
21 |
3 |
3 |
U |
= |
|
= |
|
ULURU |
|
|
|
- |
- |
2+1 |
- |
|
|
9+3 |
2+1 |
2+1 |
- |
- |
3 |
- |
|
ULURU |
|
3 |
3 |
- |
- |
- |
- |
|
|
1+2 |
- |
- |
- |
- |
3 |
- |
|
ULURU |
|
3 |
3 |
|
|
|
|
|
- |
- |
|
A |
= |
1 |
5 |
|
68 |
23 |
5 |
R |
= |
9 |
4 |
ROCK |
47 |
20 |
2 |
- |
- |
|
|
AYERS ROCK |
|
|
|
- |
- |
1+0 |
|
|
1+1+5 |
4+3 |
- |
- |
- |
|
|
AYERS ROCK |
|
|
|
7 |
LUCIFER |
- |
- |
- |
|
L+U+C |
36 |
9 |
|
|
I |
9 |
9 |
|
|
F |
6 |
6 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
7 |
LUCIFER |
- |
- |
- |
|
LUCIFER |
|
|
|
|
L+U |
33 |
6 |
|
|
C+I+F+R+E |
41 |
32 |
|
7 |
LUCIFER |
65 |
38 |
11 |
- |
|
6+5 |
3+8 |
1+1 |
7 |
LUCIFER |
11 |
11 |
2 |
- |
|
1+1 |
1+1 |
- |
7 |
LUCIFER |
2 |
2 |
2 |
LET U C FIRE
|
LUCIFER |
|
|
|
|
L |
12 |
3 |
|
|
U |
21 |
3 |
|
|
C |
3 |
3 |
|
|
FIRE |
38 |
29 |
|
7 |
LUCIFER |
65 |
38 |
11 |
- |
- |
6+5 |
3+8 |
1+1 |
7 |
LUCIFER |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
7 |
LUCIFER |
2 |
2 |
2 |
7 |
LUCIFER |
65 |
38 |
2 |
5 |
CIFER |
41 |
32 |
5 |
5 |
CIFRE |
41 |
32 |
5 |
7 |
SEE-FIRE |
67 |
40 |
4 |
6 |
CYPHER |
75 |
39 |
3 |
STRIKE A LIGHT
LUCIFER MEETS ITS MATCH
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
36 |
27 |
|
|
|
|
- |
1 |
|
20 |
2 |
2 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
|
|
|
5+6 |
2+9 |
1+1 |
- |
- |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
1+1 |
|
- |
- |
1 |
- |
|
|
|
|
|
|
= |
7 |
|
4 |
|
103 |
40 |
|
|
= |
6 |
|
1 |
|
21 |
12 |
3 |
|
= |
|
|
5 |
|
56 |
29 |
|
- |
- |
16 |
|
10 |
- |
180 |
81 |
9 |
- |
- |
1+6 |
|
1+0 |
|
1+8+0 |
8+1 |
- |
- |
- |
7 |
|
|
|
|
|
|
|
= |
1 |
|
5 |
|
49 |
22 |
|
|
= |
6 |
|
2 |
|
21 |
12 |
3 |
|
= |
|
|
5 |
|
56 |
29 |
|
- |
- |
10 |
|
12 |
- |
126 |
63 |
9 |
- |
- |
1+0 |
|
1+2 |
|
1+2+6 |
6+3 |
- |
- |
- |
1 |
|
|
|
|
|
|
FILE LIFE FILE
LIFE FILE LIFE
KARMA A MARK
MADE
KARMAS = 9 = KARMAS
- |
SPIRITUAL IS IS SPIRITUAL |
- |
- |
- |
9 |
SPIRITUAL |
125 |
44 |
8 |
2 |
IS |
28 |
10 |
1 |
2 |
IS |
28 |
10 |
1 |
9 |
SPIRITUAL |
125 |
44 |
8 |
22 |
SPIRITUAL IS IS SPIRITUAL |
|
|
|
2+2 |
- |
3+0+6 |
1+0+8 |
1+8 |
|
SPIRITUAL IS IS SPIRITUAL |
|
|
|
AS ABOVE SO BELOW
2 |
AS |
20 |
2 |
2 |
5 |
ABOVE |
45 |
18 |
9 |
2 |
SO |
34 |
7 |
7 |
5 |
BELOW |
57 |
21 |
3 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+5+6 |
4+8 |
2+1 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
1+2 |
1+2 |
- |
|
Essence of Number |
|
|
|
Tis true without error, certain & most true.
That which is below is like that which is above & that which is above is like that which is below to do the miracles of one only thing
And as all things have been & arose from one by the mediation of one:so all things have their birth from this one thing by adaptation.
SOME MYSTICAL ADVENTURES
G. R. S . Mead 1910
AS ABOVE, SO BELOW.
"Heaven above, heaven below; stars above, stars below; all that is above thus also below."
*-Kircher, Prodrom. copt. pp. 193 and 275
The Words of the Secret Things of Hermes Trismegistus
1. True it is, without falsehood, certain and most true. That which is above is like to that which is below, and that which is below is like to that which is above, to accomplish the miracles of the one thing.
2. And as all things were by the contemplation of the one, so all things arose from this one thing by a single act of adaptation.
3. The father thereof is the Sun, the mother the Moon.
4. The Wind carried it in its womb, the Earth is the nurse thereof. / Page 251 /
5. It is the father of all the works of wonder throughout the whole world.
6. The power thereof is perfect.
7. If it be cast on to the Earth, it will separate the element of the Earth from that of Fire, the subtle from the gross.
8. With great sagacity it doth ascend gently from Earth to Heaven.
9. Again it doth descend to the Earth, and uniteth in itself the force from things superior and things inferior.
10. Thus. thou wilt possess the glory of the brightness of the whole world, and all obscurity will fly from thee.
11. This thing is the strong fortitude of all strength, for it overcometh every subtle thing and doth penetrate every solid substance.
12. Thus was the world created.
13. Hence there will be marvellous adaptations achieved, of which the manner is this.
14. For this reason I am called Hermes Trismegistus, because I hold three parts of the wisdom of the whole world.
15. That which I had to say about the operation of the Sol is completed.16
2 |
AS |
20 |
2 |
2 |
5 |
ABOVE |
45 |
18 |
9 |
2 |
SO |
34 |
7 |
7 |
5 |
BELOW |
57 |
21 |
3 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+5+6 |
4+8 |
2+1 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
1+2 |
1+2 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
|
|
|
14 |
|
|
|
|
|
|
|
|
1+4 |
|
1+5+6 |
6+6 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
- |
- |
|
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
18 |
- |
- |
|
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
- |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
12 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
21 |
|
|
|
57 |
21 |
21 |
|
|
|
|
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
1+8 |
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+5+6 |
6+6 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
12 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
|
1+5 |
1+8 |
|
|
|
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+5+6 |
6+6 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
AS |
20 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
ABOVE |
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
SO |
34 |
16 |
7 |
|
|
|
|
|
|
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|
|
|
|
5 |
BELOW |
57 |
21 |
3 |
|
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|
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|
|
14 |
|
|
|
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1 |
1 |
|
1 |
1 |
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2 |
1 |
|
19 |
10 |
|
|
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|
3 |
1 |
|
1 |
1 |
|
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|
8 |
1 |
|
19 |
10 |
|
|
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|
4 |
1 |
|
2 |
2 |
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|
10 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
12 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
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|
6 |
1 |
|
22 |
4 |
|
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|
7 |
1 |
|
5 |
5 |
|
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|
11 |
1 |
|
5 |
5 |
|
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14 |
1 |
|
23 |
5 |
|
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|
5 |
1 |
|
15 |
6 |
|
|
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|
9 |
1 |
|
15 |
6 |
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13 |
1 |
|
15 |
6 |
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2 |
AS |
20 |
11 |
2 |
|
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|
5 |
ABOVE |
45 |
18 |
9 |
|
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|
1+5 |
1+8 |
|
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2 |
SO |
34 |
16 |
7 |
|
|
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|
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5 |
BELOW |
57 |
21 |
3 |
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14 |
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|
1+4 |
|
1+5+6 |
6+6 |
2+1 |
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6 |
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1+2 |
1+2 |
- |
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6 |
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|
LETTERS TRANSPOSED INTO NUMBER RE-ARRANGED NUMERICALLY
THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
|
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|
- |
21 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
1 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
58 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
60 |
15 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
68 |
32 |
|
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|
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|
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|
|
|
- |
21 |
THE EMERALD TABLET OF HERMES |
|
|
24 |
|
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|
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|
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|
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|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
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|
|
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|
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|
3 |
1 |
|
5 |
5 |
|
|
|
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|
15 |
|
3 |
|
33 |
15 |
15 |
|
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|
4 |
1 |
|
5 |
5 |
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|
5 |
1 |
|
13 |
4 |
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|
6 |
1 |
|
5 |
5 |
|
|
|
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|
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|
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|
R |
= |
9 |
7 |
1 |
R |
18 |
9 |
9 |
|
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|
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|
9 |
|
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|
8 |
1 |
|
1 |
1 |
|
|
1 |
|
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|
L |
= |
3 |
9 |
1 |
L |
12 |
3 |
3 |
|
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|
10 |
1 |
|
4 |
4 |
|
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|
23 |
|
4 |
|
58 |
31 |
31 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
B |
= |
2 |
13 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
14 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
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|
|
|
|
|
|
T |
= |
2 |
16 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
34 |
|
7 |
|
60 |
15 |
15 |
|
|
|
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|
17 |
1 |
|
15 |
6 |
|
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|
18 |
1 |
|
6 |
6 |
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|
12 |
|
7 |
|
21 |
12 |
3 |
|
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|
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|
19 |
1 |
|
8 |
8 |
|
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|
20 |
1 |
|
5 |
5 |
|
|
|
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|
|
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|
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
|
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|
|
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|
9 |
|
|
|
22 |
1 |
|
13 |
4 |
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|
23 |
1 |
|
5 |
5 |
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24 |
1 |
|
19 |
10 |
|
|
1 |
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|
32 |
|
7 |
|
68 |
32 |
32 |
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- |
24 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
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|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
1+2 |
3+0 |
1+2 |
|
1+6 |
1+8 |
|
|
|
|
7 |
|
58 |
31 |
|
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6 |
|
60 |
15 |
|
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|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
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|
6 |
|
68 |
32 |
|
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|
23 |
|
24 |
THE EMERALD TABLET OF HERMES |
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
2+4+0 |
1+0+5 |
2+4 |
|
|
|
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|
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|
|
|
- |
6 |
THE EMERALD TABLET OF HERMES |
|
|
6 |
|
|
|
|
|
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|
|
|
|
|
|
|
- |
21 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
1 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
58 |
31 |
|
|
|
|
|
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|
|
|
|
|
|
|
1 |
|
60 |
15 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
68 |
32 |
|
|
|
|
|
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|
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|
|
|
|
|
|
- |
21 |
THE EMERALD TABLET OF HERMES |
|
|
24 |
|
|
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|
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|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
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|
|
|
|
7 |
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
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|
|
3 |
1 |
|
5 |
5 |
|
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|
|
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|
4 |
1 |
|
5 |
5 |
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|
7 |
|
|
|
|
|
5 |
1 |
|
13 |
4 |
|
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|
|
|
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|
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|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
7 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
9 |
|
|
|
8 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
L |
= |
3 |
9 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
7 |
|
|
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
B |
= |
2 |
13 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
L |
= |
3 |
14 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
16 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
|
|
|
17 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
6 |
6 |
|
|
|
|
|
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|
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|
|
|
|
|
|
19 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
22 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
|
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|
24 |
1 |
|
19 |
10 |
|
|
1 |
|
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|
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|
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|
|
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|
|
- |
24 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
1+2 |
3+0 |
1+2 |
|
1+6 |
1+8 |
|
|
|
|
7 |
|
58 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
15 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
68 |
32 |
|
|
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|
|
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|
|
|
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|
23 |
|
24 |
THE EMERALD TABLET OF HERMES |
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
2+4+0 |
1+0+5 |
2+4 |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
6 |
THE EMERALD TABLET OF HERMES |
|
|
6 |
|
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|
|
- |
21 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
|
|
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|
|
|
|
|
|
|
T |
= |
2 |
|
1 |
THE |
33 |
15 |
6 |
|
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|
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|
|
|
|
|
|
|
|
|
|
1 |
|
58 |
31 |
|
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|
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|
|
|
|
|
1 |
|
60 |
15 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
68 |
32 |
|
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- |
21 |
THE EMERALD TABLET OF HERMES |
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|
24 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
T |
= |
2 |
16 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
13 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
7 |
|
|
L |
= |
3 |
9 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
14 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
22 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
17 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
7 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
7 |
|
9 |
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
24 |
THE EMERALD TABLET OF HERMES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
1+2 |
3+0 |
1+2 |
|
1+6 |
1+8 |
|
|
|
|
7 |
|
58 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
15 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
24 |
THE EMERALD TABLET OF HERMES |
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
2+4+0 |
1+0+5 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
THE EMERALD TABLET OF HERMES |
|
|
6 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER RE-ARRANGED NUMERICALLY
Emerald Tablet of Hermes Explained | Ancient Astronaut Archive
ancientastronautarchive.com › 2020/02 › emerald-table...
26 Feb 2020 - The Emerald Tablet of Hermes, also known as the Smaragdine Tablet, or Tabula Smaragdina, is a compact and cryptic piece of the Hermetica ...
Emerald Tablet of Hermes - Sacred Texts
www.sacred-texts.com › alc › emerald
Translations. From Jabir ibn Hayyan. 0) Balinas mentions the engraving on the table in the hand of Hermes, which says: 1 ...
by FJ ibn Hayyan - ?Related articles
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
HEAVEN ABOVE HEAVEN BELOW
STARS ABOVE STARS
BELOW
ALL
THAT IS OVER UNDER SHALL SHOW
HAPPY ART THOU
THAT
THIS RIDDLE SHALL KNOW
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
IS |
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
OVER |
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
UNDER |
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
HAPPY |
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
3 |
ART |
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
64 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
4 |
THIS |
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
6 |
RIDDLE |
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
5 |
SHALL |
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
4 |
|
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
1+0+4 |
Add to Reduce |
1+2+5+0 |
4+7+6 |
1+0+7 |
|
|
|
1+2 |
|
1+0 |
|
2+8 |
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
1+7 |
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
22 |
|
212 |
95 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
20 |
|
256 |
103 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
IS |
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
OVER |
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
UNDER |
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
27 |
|
341 |
125 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
HAPPY |
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
3 |
ART |
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
64 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
4 |
THIS |
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
6 |
RIDDLE |
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
5 |
SHALL |
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
4 |
|
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
35 |
|
441 |
153 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
1+0+4 |
Add to Reduce |
1+2+5+0 |
4+7+6 |
1+0+7 |
|
|
|
1+2 |
|
1+0 |
|
2+8 |
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
1+7 |
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
IS |
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
64 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
4 |
THIS |
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
HAPPY |
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
3 |
ART |
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
BELOW |
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
STARS |
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
OVER |
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
6 |
RIDDLE |
52 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
5 |
SHALL |
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
UNDER |
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
4 |
|
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
1+0+4 |
Add to Reduce |
1+2+5+0 |
4+7+6 |
1+0+7 |
|
|
|
1+2 |
|
1+0 |
|
2+8 |
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
|
1+7 |
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
E |
= |
5 |
- |
9 |
EVOLUTION |
133 |
43 |
7 |
|
|
25 |
- |
15 |
Add to Reduce |
|
|
|
|
|
2+5 |
- |
1+5 |
Reduce to Deduce |
2+0+7 |
8+1 |
2+7 |
|
|
|
- |
|
Essence of Number |
|
|
|
10 |
REVOLUTION |
151 |
52 |
7 |
1 |
R |
18 |
9 |
9 |
9 |
EVOLUTION |
133 |
43 |
7 |
Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made
The Tempest Act 4, scene 1, William Shakespeare
Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.
William Shakespeare ( 26 April 1564 (baptised) – 23 April 1616)
was an English poet and playwright, widely regarded as the greatest writer in the English ...
W |
= |
5 |
- |
2 |
WE |
28 |
10 |
1 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
S |
= |
1 |
- |
5 |
STUFF |
72 |
18 |
9 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
D |
= |
4 |
- |
6 |
DREAMS |
60 |
24 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
M |
= |
4 |
- |
4 |
MADE |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
ON |
15 |
6 |
6 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
3 |
OUR |
54 |
18 |
9 |
L |
= |
3 |
- |
6 |
LITTLE |
78 |
24 |
6 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
R |
= |
9 |
- |
7 |
ROUNDED |
81 |
36 |
9 |
W |
= |
5 |
- |
4 |
WITH |
60 |
24 |
6 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
= |
1 |
- |
5 |
SLEEP |
57 |
21 |
3 |
- |
- |
62 |
|
66 |
First Total |
|
|
|
- |
- |
6+2 |
- |
6+6 |
Add to Reduce |
7+4+1 |
2+9+1 |
8+4 |
- |
- |
8 |
- |
12 |
Second Total |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
GOD ONE GOD
AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
6 |
LITTLE |
78 |
24 |
6 |
W |
= |
5 |
- |
5 |
WHILE |
57 |
30 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
R |
= |
9 |
- |
4 |
REST |
62 |
17 |
8 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
T |
= |
T |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
W |
- |
4 |
WIND |
50 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
7 |
ANOTHER |
81 |
36 |
9 |
W |
= |
5 |
- |
5 |
WOMAN |
66 |
21 |
3 |
S |
= |
1 |
- |
5 |
SHALL |
52 |
16 |
7 |
B |
= |
2 |
- |
4 |
BEAR |
26 |
17 |
8 |
M |
= |
4 |
- |
2 |
ME |
18 |
9 |
9 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
5+3 |
- |
6+2 |
Add to Reduce |
7+1+1 |
2+7+9 |
8+1 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
|
1+8 |
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.
WAY OF THE PEACEFUL WARRIOR
A
BOOK THAT CHANGES LIVES
Dan Millman 1980
Page 44
"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 /
"Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."
THE WASTE LAND
and other poems
T. S. Elliot 1940
Page 13
The Love Song of J. Alfred Prufrock
"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
|
BECAUSE |
56 |
20 |
|
|
WE'RE |
51 |
24 |
|
|
KEEPING |
67 |
40 |
|
|
THE |
33 |
15 |
|
|
DREAM |
41 |
23 |
|
|
ALIVE |
49 |
22 |
|
|
First Total |
|
|
|
3+1 |
Add to Reduce |
2+9+7 |
1+4+4 |
7+2 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
2+9+7 |
- |
- |
|
Essence of Number |
|
|
|
THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY
NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE
THE GAME WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 33
It is time to examine the regenerative process - the way out of our limited state of body and awareness - a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one - dimensional or linear caterpillar has the hidden ability to spin a self - made cocoon - tomb and then turn into a pupal case, with future wings already outlined on it - a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb - egg of the cocoon and flies aloft into the sky.
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 137
"A winged and wondrous child
will whirl a whole world into being . . .
That child alone shall fly the abyss
and reach the Second Sun. . . ."
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
23 |
|
247 |
112 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
29 |
|
357 |
159 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
30 |
|
326 |
119 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
20 |
|
201 |
84 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+7+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
= |
|
|
7 |
UNNEFER |
83 |
38 |
2 |
W |
= |
|
|
5 |
WENEN |
61 |
25 |
7 |
N |
= |
|
|
5 |
NEFER |
48 |
30 |
3 |
O |
= |
|
|
9 |
ONNOPHRIS |
128 |
56 |
2 |
- |
- |
19 |
|
26 |
|
320 |
149 |
14 |
- |
- |
1+9 |
- |
2+6 |
|
3+2+0 |
1+4+9 |
1+4 |
- |
- |
10 |
|
8 |
|
5 |
14 |
5 |
- |
- |
1+0 |
- |
- |
- |
|
1+4 |
|
- |
- |
1 |
|
8 |
|
5 |
5 |
5 |
Eternal Gods, Eternal Lives - Ancient Worlds
www.ancientworlds.net/aw/Journals/Journal/167968
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection. Wepwawet (Upuaut): The jackal-god of ...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UNNEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
|
7 |
|
83 |
38 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WENEN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
|
70 |
34 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
|
5 |
|
48 |
30 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ONNOPHRIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
|
9 |
|
128 |
65 |
56 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
320 |
158 |
149 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4+9 |
|
2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
|
|
|
|
|
7+0 |
2+4 |
|
|
3+6 |
|
|
|
|
|
Second Total |
|
14 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UNNEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
|
7 |
|
83 |
38 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WENEN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
|
70 |
34 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
|
5 |
|
48 |
30 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ONNOPHRIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
|
9 |
|
128 |
65 |
56 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
320 |
158 |
149 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4+9 |
|
2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
|
|
|
|
|
7+0 |
2+4 |
|
|
3+6 |
|
|
|
|
|
Second Total |
|
14 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.